In an age where images are increasingly generated rather than captured, our project Around the World in 80 MB (2024) explores the dissolution of authorship in favor of machine-driven visual production. Inspired by Jules Verne's famous journey, we replaced physical travel with flows of data—24 webcam-sourced images following Phileas Fogg's route, captured by autonomous systems. Each image is printed over 27 hours, reversing digital speed and reintroducing duration into visual experience. The work questions the notion of the "visible," combining photography, drawing, and digital processes to trace an imperceptible world. Through this project, we investigate how contemporary technologies reshape perception, authorship, and artistic temporality, proposing a new kind of digital art: not fixed, but fluid—an ever-transforming map of the real. The exhibition becomes a dynamic interface between tradition and innovation.